At the end of the 1940s, Blons began fronting his own group and playing in the Dixieland style.

On the way back from the interment, it would switch to the familiar upbeat "hot" or "Dixieland" style.

His last recordings were in a Dixieland style in 1951.

Raymond Burke played in the Dixieland style.

Even within the Dixieland style, Burke's playing was viewed as eccentric, and highly individual.

Furthermore, Raymond's playing was considered eccentric even within the Dixieland style.

The musicians in his group sit in a corner in chairs backed against the wall, Dixieland style.

Although Ryan's was primarily a Dixieland venue, Eldridge tried to combine the traditional Dixieland style with his own more brash and speedy playing.

Hot House mainly plays in the Dixieland style of jazz.

Like its forerunner, the sequel offers lusty performances of vintage blues, jazz and popular tunes arranged in a modified Dixieland style for a small jazz ensemble.