Both works seem to end excitingly but then continue with what looks like a whole different dance.

The world may be imperfect, his works seem to insist, but that does not mean it is beyond hope.

But the works also seemed beyond the company's reach.

Like his thin surfaces, the works seem both highly personal and anonymous.

These works seem to have been created in a trance.

But some works don't seem to go beyond exploitation.

But abstract works seem, in this context, to refer to particular places and events.

Yet even now those works seem as nearly perfect as films can be.

Three large, imposing works seem to function as central position anchors.

These works seem to call attention to the history between art and commerce.