An oil painting is painterly when there are visible brushstrokes, the result of applying paint in a less than completely controlled manner, generally without closely following carefully drawn lines.

Luminism is an American landscape painting style of the 1850s - 1870s, characterized by effects of light in landscapes, through using aerial perspective, and concealing visible brushstrokes.

When he started to work again, he used a shorter and more visible brushstroke, perhaps as a result of the influence of the Impressionists.

Beyond his predecessors, Hals was the first virtuoso of the visible brushstroke, but no other Old Master seems to have made art so little for his own fulfillment.

Or they are seen against walls whose unusual tactility may include visible brushstrokes or, in the case of "Study of a Boy 2," handdrawn images.

Hals was a master of a technique that utilized something previously seen as a flaw in painting, the visible brushstroke.

Respondents also inclined toward realistic treatment, visible brushstrokes, blended colors, soft curves.

A smooth surface without visible brushstrokes is characteristic of both nihonga painting and factory production.

In the 16th century the handling of the paint became freer and painters exploited the possibility of laying paint on in broad, visible and varied brushstrokes.

These areas are distinctively textured with vertical brushstrokes, not visible from a distance but easily discernible as restoration work when viewed close up.