Of the sketches that survive, none are for solo keyboard works.

An analysis of Joan Tower's solo keyboard works.

The GX-1 utilized velocity-sensitive keyboards and the solo keyboard was even pressure, or aftertouch, sensitive.

Even though it was written for two-manual harpsichord, it is regularly played on the piano and considered the first example of a concerto fitted to solo keyboard.

Mr. Bley will also add solo keyboard works by Mozart and Gottschalk.

The concertos were first published in 1738 by John Walsh for solo keyboard, the solo part combined with a simplified reduction of the orchestral accompaniment.

Concertos Nos. 3, 9 and 12 were arranged for solo keyboard, BWVs 978, 972 and 976.

Often, these consist of solo keyboard, solo violin or simple silence behind her voice.

Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I).

The Portamento keyboard overrides the solo keyboard if used simultaneously.