It was first produced at the royal theater in Berlin in 1850.

Within the grounds it has what is thought to be one of the few private royal theaters left in Southeast Asia.

As a person, she has also ben taken as an example of the infected rivalry within her profession on the royal theatre.

He was dissatisfied with the artistic possibilities offered there, however, so moved to the royal theatre in Darmstadt.

She debuted at the royal theatre in the play Qväkaren in 1828.

In 1831, she was contracted at the royal theatre.

Its present owners believe that it is the only remaining legally "royal theatre" in North America.

It was the fourth building to serve as localities for the royal theatre.

It became one of three royal theaters of Brussels, playing operetta and revues.

The instructors were often actors from the royal theatre.