Also in 1966, after The Animals split from producer Mickie Most, Wilson became their producer, which continued until the original band broke up in 1967.

Though he found the offer "flattering", Reid was still bound by the exclusive recording contract with his producer Mickie Most and more interested in his solo career.

It was her last album with producer Mickie Most, who had guided her career successfully through the late 1960s.

This change is partially the result of working with producer Mickie Most, whose pop sensibilities led to chart hits for many other artists at the time.

The album title track is the first of several tracks that producer Mickie Most would exempt Chris Dreja and Jim McCarty from participating in.

It was producer Mickie Most who wished to release the song as a single.

This prompted Donovan to reunite with his old producer Mickie Most to try to find a hit making formula for his next album.

In December 1969 Reid had a falling out with producer Mickie Most, who wanted Reid to become a balladeer, and to strictly follow his own formula.

Klein in turn introduced Donovan to producer Mickie Most, who was riding high on the success of his chart-topping productions with The Animals, Lulu, and Herman's Hermits.

Their producer Mickie Most was so angry at the band for signing the management deal, that he vowed to never release another Arrows record.