The second master was allowed to keep as boarders private pupils who did not belong to the school.

This allowed him to stop taking private pupils and left him more time to compose.

After 1865, he opened a studio, taking private pupils in painting.

It had been a year since he'd had a private pupil and she'd taken only six lessons at five dollars an hour.

Hence, he started to accept private pupils in his studio.

He also received many private pupils in his house for special instruction.

At the university, where he resided many years, he took private pupils.

On top of this she had many private pupils.

Alexander Zemlinsky took him as a private pupil in 1896.

It became a village elementary school, taking in private pupils.