Over the bed was a framed print titled "The Colosseum by Moonlight."

The print titled "Melancholia" was his response.

The same goes for a pair of prints titled "Composition," a still life of an egg reflected six times in a faceted glass full of water.

A print, titled "Sandstorm," could be a tribute to Arnold Rothstein's picture of Okies taking refuge from a storm.

Included in Concatenations was a series of prints titled Five Mysteries.

A print of Lederstrumpf, in its heavily edited U.S. version titled The Deerslayer, was discovered in the 1990s.

Another piece, a print titled "Celebrity 1" by artist Charlotte Suckling, was exhibited in the same exhibition.

Rumor has it that an unedited print, still titled The Terror of Godzilla, was shown in theaters as well.

In the print titled "Provins," it flows down steps to do the same for a crypt, where vaults sprout from columns just as dumpy.

For me, the outstanding late entry, though, is the single, booklike print titled "The Blue Feet," made in Mexico this year.