Louis Delanois (1731-1792) was a Parisian menuisier who specialized in seat furniture in the late Rococo taste and an advanced neoclassical taste.

When you actually read the Ossian epics, you find that they are shaped entirely to neoclassical tastes.

He also purchased the little château de Garges which he rebuilt in neoclassical taste by Pierre Contant d'Ivry; it was modified in the 19th century and has been demolished.

The Beaux-Arts design owed a great deal to the Petit Trianon at Versailles' interiors were in neoclassical French taste.

In Philadelphia, the architect Benjamin Henry Latrobe designed a set of klismos chairs for an interior in the most advanced neoclassical taste for William Waln's drawing-room, c. 1808.

Due to the close ties with Britain and London (which had stimulated interest in neoclassical taste), Neoclassicism became a transatlantic phenomenon that spread across the ocean.

Yet the play's pseudo-naive structure placed it at odds with the neoclassical tastes of the Restoration era.

These roles in combination made him an arbiter of neoclassical taste.

In art, he goes in the name of "good taste" neoclassical some selected readers, while perceived growing importance of the public and the market in the world of art.

Painted motifs include exotic vegetation and mythological characters, typical of the neoclassical taste.