Moche portrait vessles are ceramic vessels featuring highly individualized and naturalistic representations of human faces that are unique to the Moche culture of Peru.

They contrast with the late Romanesque style due to the relatively naturalistic representation of figures and drapery.

Visual abstraction: African artworks tend to favor visual abstraction over naturalistic representation.

Sung artists had risen to the peak of naturalistic representation, hiding the brush stroke by using washes; they wished to delete themselves graphically from their work.

Most itoom were created in the form of a naturalistic or abstract representation of an animal.

The theatrical term refers to a naturalistic representation of real life, sometimes used as an adjective, as in "a play with 'slice of life' dialogue".

This statue could be conceived as proto-Baroque, since it depicts no idealized moment or person, but a theatric scene, a naturalistic representation of a dead or dying saint.

Set in the same wood as Emile Bernard's portrait of his sister, Paul Sérusier's The Talisman suspends all links to naturalistic representation.

In the 1300s, the Italian artist Giotto began to develop a more naturalistic representation in his works.

His instrument par excellence become oil, and he's been using it in his although 'naturalistic' representation.