The image has been seen as inspired by European modernist photographers, "more interest in abstract form than descriptive photographs."

Olive Cotton (1911-2003) was a pioneering Australian modernist female photographer of the 1930s and 40s working in Sydney.

Maxwell Spencer Dupain AC (4 April 1911-27 July 1992) was a renowned Australian modernist photographer.

Sheeler (1883-1965), an early modernist photographer, was influenced by Cézanne, Picasso and Duchamp.

It embodied everything rejected in the 1920's by modernist photographers like Edward Weston and Paul Strand, who emphasized the razor-sharp depiction of subjects taken from everyday life.

That man was Manuel Alvarez Bravo, arguably Mexico's greatest modernist photographer.

The zooming effect of "The Lawrence Tree" is related to the widespread tendency of modernist photographers to take extreme close-ups.

She became in rapid succession a minor film starlet, a celebrated modernist photographer and a crafty Communist operative.

Paul Strand (October 16, 1890 - March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century.

The most resolutely modernist photographers recorded the 20th-century city as a new form with a claim on times to come.