In a 1394 manuscript depicting the Nine Worthies, Arthur is shown holding a flag with three gold crowns (Neubecker, 172).

The Bodleian 614 manuscript, only in Latin, depicts 49 wonders.

The manuscript also depicts a bird's-eye view of the city, including many landmarks: the Piazza San Marco with St. Mark's Basilica and its four bronze horses and the Doge's Palace.

The earliest illustrated manuscripts did not always depict Jesse or Christ.

The unfinished manuscript, today available in Vanbrugh's Collected Works, depicts a country family travelling to London and falling prey to its sharpers and temptations, while a London wife drives her patient husband to despair with her gambling and her consorting with the demi-monde of con men and half-pay officers.

Its actual origin remains in doubt, though local manuscripts depict the instrument at the beginning of the 15th century (Kimberlin 1978: 13).

A manuscript at Trinity College, Cambridge depicts Chaundler presenting one of his plays to the Bishop of Bath, Thomas Beckynton, in 1460.

The Pseudo-Oppian manuscript depicts the brothers hunting, both on horseback and on foot.

A 10th-century Byzantine manuscript of the Gospel of Luke from a monastery in Asia Minor depicts a thoughtful Luke and renders his words in characters large enough to be read by candlelight.