Between 1980 and 1985 the complete incidental scores for the programme were provided in-house by the Workshop.

The one that still makes me cringe is when I wrote an incidental score for the Shakespeare play Pericles.

In addition to Mendelssohn's incidental score for the play, Balanchine spliced in other selections by the composer.

Elmer Bernstein composed the incidental score, for which he won his only Academy Award.

He has written incidental scores for films and off-Broadway plays, and has arranged dance music for five Broadway musicals.

There is also some additional incidental orchestral score, such as an Overture and Exit Music, with music arranged by John Pearson.

Hitchcock decided to do without any conventional incidental score.

She also provided the incidental score for the 1985 Doctor Who story Timelash under the name Liz Parker.

Mendelssohn's incidental score for the play is combined with other music by the composer to create the modern equivalent of a court masque.

In addition to some incidental score, the following were used in the trailers for the film, but do not appear on the soundtrack or in the movie itself: