Instead of a guitar solo, in the longer breaks between verses there is a horn part by Entwistle.

I consider those horn parts to be live as long as the keyboardist has to touch a key for every note.

Still, most of his third stream works include horn parts.

For a sound bite's worth of nearly a dozen songs each night, horn parts must be written, rhythms worked out in rehearsal, melody lines assigned.

Isbell stated that the horn parts for the song came to him in a dream.

With the exception of a small rhythm section, all 13 horn parts were reproduced by the three voices dubbed over.

And in some pieces, the horn parts were missing.

The short Sanctus presents the most extensive horn parts in the work.

High horn parts add brilliant color throughout the movement.

We thus see that horn parts have to be written a fifth higher than the pitch required.