Cheetah's console played the first four notes from Beethoven's Fifth Symphony.

The tune is based on an extract from Mozart's Symphony No.1, composed when he was eight years old.

I end the book with the great chaconne from Brahms's Fourth Symphony, coming full circle.

A similar example is the Adagietto from Mahler's Symphony No. 5.

The music played in the halls is from Mozart's 40th Symphony, specifically, its first and fourth movements.

"You were about to demonstrate the first movement from Tchaikovsky's Second Symphony."

Using the series from Webern's Symphony, the four forms are as shown in Example 126:

Either way, it is not a very exciting piece: its best bit, generously offered twice, comes straight from Tchaikovsky's Fourth Symphony.

These will frame the Adagio from Mahler's 10th Symphony.

A jazzed version of a melody from Beethoven's 5th Symphony was adopted as the show's then new opening theme song.