There is also a wide variety of gamelan in the West, including both traditional and experimental ensembles.

The Scratch Orchestra was an experimental musical ensemble founded in the spring of 1969 by Cornelius Cardew, Michael Parsons and Howard Skempton.

In 1976 Fischer worked with L.A.'s ProVisional Theatre, an experimental, political ensemble.

Microstoria is an experimental electronic ensemble from Düsseldorf, Germany.

As deputy chairman of the Polish Association of Contemporary Music, Dębski has written music for film, theater, symphony, chamber orchestra and experimental ensembles.

In 1969 Cardew, Parsons and fellow composer Howard Skempton founded the Scratch Orchestra, an experimental free ensemble devoted to performing contemporary music.

Conceived for an experimental ensemble, the score juxtaposes jazz, bossa nova, electronic sound effects and harshly melodramatic action music with a text that is read both in German and in English.

His musical work has continued to focus on political issues, as did his original work with the Scratch Orchestra, an experimental performing ensemble.

Evidence of the larrikin influence includes traditions of free, rule-defying experimentalism in Australian art and underground music (various renowned experimental ensembles that emerged from the post punk movement are examples).

In modern playing, it is more common to find the baritone violin in a jazz, newgrass, or experimental ensemble than in a classical setting.