But this exhibition seems in many ways far preferable to the grand isolation of a monographic show.

This exhibition seems to be waiting for someone to play taps.

Repeatedly, the exhibition seems to vacillate between the recent past and a lively, very different present.

But as a rule, the study and exhibition of art from Africa seem to invite outside-the-box thinking.

The inexpensive and timely exhibition, on view through Oct. 3, seemed like a natural.

For the most part, this exhibition seems to turn back the clock.

This exhibition as a whole seems to comment on the persistence of cultural fusion.

And as much as anything, his new exhibition seems to be an exploration of public emotion.

When it opened last year, the exhibition seemed to reinforce stereotyped images of black men as criminals or athletes.

Not surprisingly, the exhibition seems to revolve around the theme of ethnic identity.