An eagle carved by Ernest C. Bairstow, a decorative sculptor from Washington, DC, is located over the central opening.

At this time a figurehead of an eagle carved by John Haley Bellamy was installed.

At the entrance to the galleries - the nexus of the entire suite - hangs a monumental gilded eagle carved by William Rush between 1809 and 1811.

They have bronze doors topped by blind fanlights with eagles carved in bas-relief.

A double portrait by John Singleton Copley and a hanging eagle carved by William Rush shine among the period objects (Grace Glueck).

An American eagle, carved in stone was placed atop the stone pyramid.

While every eagle carved by Bellamy was unique, they had certain common characteristics.

The eyes were another tell-tale sign of an eagle carved by Bellamy as the eye sockets were generally heavily incised.

At the center of the pediment is an eagle, carved in oak, above a wreath with crossed flags and fasces.

The gilded eagle 12-arm chandelier, carved in 1740 to illuminate the dining room of the fourth Earl of Shaftsbury at St. Giles House in Dorset, England, blazed with candlelight above the Cherrys' dining table, adding to the shimmer of a pair of English satinwood commodes on a side wall.