Then the dancers rushed up and down the stairs, as if running into water and retreating from it because they feared its cold or depth.

But the piece was most fascinating when dancers rushed in bound by elastic cords that extended behind them into the wings.

The dancers joined hands at the end and rushed forward, faces beaming, during a standing ovation.

The dancers rushed forward, picked up the snakes and ran out of the square.

The dancers, in contrast, swirled and rushed across the stage, sometimes gathering in clusters, only to split apart again.

Then dreams turned into nightmares, as dancers rushed wildly to "The Erl-king," a song about a little boy abducted by an evil spirit.

Interpretive dancers rushed about the chamber, waving their arms and trying to keep the fruit piled on their headdresses from coming loose.

As petals glowed, dancers rushed and leaped in and out.

As soon as one number was over, the dancers rushed upstairs to change into new costumes while others took the stage.

Other dancers either rushed past him or joined in behind him until the piece came to a rigid and militaristic conclusion.