A historical critique of liberal feminism focuses on its racist, classist and heterosexist past.

The new critique of the values fostered by schools focuses on four areas: * Schoolwork centers on the individual, whereas most other work involves other people.

Other critiques focus on the role of the security analyst and the potentially conservative nature of the theory.

His main critiques focus on how the "Muralists" depict the Mexican social composition and lifestyle and how much their works were actually influenced by then-government patronage.

The primary critiques focused on conceptual and methodological clarity:

In contrast to Washington's fix on Japanese practices that inhibit imports, Tokyo's critique focuses on America's declining competitiveness as an exporter.

The yo-yo critique focuses on predictability.

Another critique focuses on the fact that one nation's citizens may own stock in both domestic and foreign firms.

The ecological critique focuses on mindless "production for production's sake", attacking both the neoclassical notion and the Marxist concept of "productiveness".

His critiques focus on how these artists depicted Mexican social intertwine and how much their art was influenced by government propaganda through sponsorship.