Zacconi, unlike later theorists, included a few extra contrapuntal techniques as species, for example invertible counterpoint.

Some fugues during the Baroque period were pieces designed to teach contrapuntal technique to students.

These works "have the character of studies in contrapuntal technique."

Wernick also makes extensive use of contrapuntal techniques, especially in his string quartets.

The cantus firmus sometimes appeared simultaneously in other voices, using a variety of contrapuntal techniques.

Phantasm communicates more than just the subtleties of contrapuntal technique.

It is also characteristic of these late works to incorporate contrapuntal techniques (e.g. canon and fugue) into the sonata form.

Here he began to gain a much deeper understanding of contrapuntal technique.

Each fugue displays a variety of contrapuntal and fugal techniques.

There is also an unusual amount of variety in each piece and extensive use of contrapuntal techniques.