The composer described it as "essentially the same as what I was doing before, but on an orchestral scale".

The composer describes the conception and result of its technique:

The composer described the parallel process, "It's instinct and listening to what the film is telling you it needs".

The composer described this chord as "his 'passport' to that Concerto".

The composer described it as "elegant, but not otherwise important."

The composer describes the work as an "envocation of a lonely fish and a white view".

The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week."

There the first thoughts germinated for a new aesthetic, which the composer described as "panharmony".

The composer himself described the work as a 'Morality' rather than an opera.

The composer himself described the two singles as "Much the same thing.