In The Conquest of Cool (1997), he looked at how the counterculture became capitalist culture.

I lived in the Heartbreak House of capitalist culture, waiting for it to stand accused by all writers worthy of the name.

He encounters an alien race, the Teladi, a highly capitalist, profit-focused culture.

It's just not a very capitalist culture.

Next door sits a market nearly 10 times larger with radically differing politics but a strikingly similar capitalist culture.

It "poignantly registers social and political concerns while reflecting on the dynamics of modern capitalist culture," according to the museum guide.

The work challenges participants and viewers to re-evaluate the meaning and value of the human body in global capitalist culture.

Ever since Scruton recommended an under-educated society as being necessary for a successful capitalist culture I have refused to take anything he says seriously.

But the book is most engaging when he turns his gaze outward to make pithy observations on the intersection of religion and global capitalist culture.

One explanation for this repulsion and attraction has become fairly common: American popular culture is capitalist culture.