The tradition of collaboration between painters and poets had a beneficial influence on poetry in the middle Edo period.

Some of the most interesting conversations are going on between painters, canvas to canvas.

Many watercolor painters, perhaps uniquely among all modern visual artists, still adhere to prejudices dating from the 19th century rivalry between "transparent" and bodycolor painters.

The group's members were a link between American nonobjective painters and such European modernists as Mondrian, Miro and Kandinsky.

The division between new painters and academics was not as clear-cut as the show (less so its catalogue) implies.

There is a palpable tension between painters and the current - inaccurate - British idea of what modern art is.

It is, however, not easy to reconstruct links between potters and painters.

The work was often divided between the main painter, who drew the outlines, and less senior painters who coloured in the drawing.

Both academic and personal bonds developed between early Greek painters and Munich artistry giving birth to the Greek "Munich School" of painting.

One difference between painters in Mexico and their European counterparts is that they preferred realistic directness and clarity over fantastic colors, elongated proportions and extreme spatial relationships.