The Technicolor Corporation continued to experiment with both tinting, toning and colorizing.

The film was produced by the Technicolor Corporation, but was distributed by Metro-Goldwyn-Mayer, after production chief Irving Thalberg became impressed with the technology.

After schooling, Schreiber began working at Sylvania Electronics in 1947 at Technicolor Corporation in Hollywood, California in 1953.

C.V. Whitney became involved in the motion picture industry, notably with his cousin Jock Whitney as a major shareholder backing the Technicolor Corporation.

Prizma sued the Technicolor Corporation in September 1922 on the grounds that Technicolor was infringing upon Prizma's patents.

In 1952, the Technicolor Corporation contracted with SRI to develop a near-instantaneous, electro-optical alternative to the manual process of timing during film copying.

An October 1934 Fortune article on the Technicolor Corporation noted Whitney's interest in pictures.

She also was under contract with Paramount Pictures and later with Technicolor Corporation, before joining the league in 1945 with the Rockford Peaches.

He was a vice president of Desilu Studios and of the Technicolor Corporation.

The film was photographed by noted British cinematographer Jack Cardiff in Technicolor and Technirama (the wide screen process developed by the Technicolor Corporation).