His influence on Swedish art was considerable until a new generation of artists were invited by Queen Christina during the 1640s.

The oldest remains of Swedish art are found in the churches: frescos, altar pieces, and baptismal founts.

The frescoes are important evidence of the strong Byzantine influence on Swedish art of the 12th and 13th centuries.

In 1929, Turnblad transformed it into an institute for Swedish arts and science.

Swedish art has always been influenced from around the world, but the influences have come from different geographical regions in different ages.

Swedish art is inherently a part of Swedish culture and the cultural tradition of the Western world.

Due to generous art subsidies, contemporary Swedish art has a big production per capita.

After Gustav III's death, the was a period of stagnation in the Swedish art.

Roosval's lectures on Swedish art, described by Levine as "apparently not very exciting", were published in 1932.

In 1924, an exhibition of Swedish art principally of the 1880s and 90s was exhibited at Burlington House.