Two dancers listen to and then start moving to a Stravinsky score played by an onstage violinist and pianist.

The Stravinsky scores for the two works reach back to the same period in the late 1920's.

Nothing is arbitrary in Miss Graham's view of the Stravinsky score.

The ballet was in part Ashton's response to its Stravinsky score.

Just about everything else has been done to the Stravinsky score.

He choreographed two different but related ballets to the same 1941 Stravinsky score and then allowed each to drop out of the repertory.

Ms. Quinn led a sparkling account of the Stravinsky score.

Carolyn Kuan was the guest conductor of the Stravinsky score.

But this Stravinsky score was a specialty of his back then.

The Stravinsky score has these very short phrases that change radically as they go along.