Szyk, reflecting on his work, took satisfaction in expressing Polish identity and pride through the painting.

After 1928 Soviet policies turned to outright eradication of Polish national identity.

At one point Nietzsche becomes even more adamant about his Polish identity.

But Warsaw's development was accompanied by an intensive assault on Polish national identity.

While being a French citizen, she never lost her Polish identity.

Polish identity and ethnic pride grew as a result of his papacy.

Their style promoted the immigrants' vision of Polish identity.

Street names were changed in an effort to wipe out any connection with a Polish identity.