Byōbu were introduced in Japan in the eighth century, when Japanese craftsmen started making their own byōbu, highly influenced by Chinese patterns.

In 1909, he erected a memorial gate, created by Japanese craftsmen brought from Japan specifically for the project.

When renovating Wieser's apartment, Ushida imported a group of Japanese craftsmen to execute the design.

Japanese craftsmen reassembled the framework and British builders who had worked on the Globe Theatre added the mud wall panels.

In a harbinger of things to come, Japanese craftsmen quickly became quite talented manufacturers.

When it was returned repaired with ugly metal staples, it may have prompted Japanese craftsmen to look for a more aesthetic means of repair.

He commissioned Japanese craftsmen to build a traditional teahouse, complete with authentic Japanese garden, "so I'd have a place to go with no outside disturbances."

It was painstakingly repaired by a Japanese craftsman using molten bronze as solder to mend the seams and fill in gaps.

In a few years, Japanese craftsmen were making muskets superior to the Portuguese ones.

It was built in 1928 by Japanese craftsmen and includes Szechuan chinese architecture.