An unknown photographer is represented by a double portrait made in 1890 of an Indian youth.

Their plan was to motivate Indian youth and train them.

He stood up to watch the Indian youth approaching from the forest.

Even an Indian youth who had grown up in the presence of death would not have been prepared for what happened back at the sump-spring.

The thought is that Indian youth best respond to teachers knowledgeable about their own experience and language.

The residential school provided religious instruction and occupational training for Indian youth.

The movie had a significant cultural impact among urban Indian youth.

The film was not successful during the time of its release, but over the years it has developed a cult following among Indian youth.

Thus, the Indian youth becomes a perfect target for tobacco industries to market their products to.

According to critics, the film broke new grounds by showing Indian urban youth as they really are today.