Trained in Paris, he did much to assert a sense of Cuban musical nationalism in his compositions.

This is suggested by the very vehemence of the speeches and the fact that they always contained prolonged and strident calls on Cuban nationalism (which certainly was a strong popular sentiment).

In the speech Castro also stated the need for Cuban nationalism, social equality and solidarity among the Cuban people.

Rising Cuban nationalism and widespread criticism led to its abrogation in 1934 by the Ramón Grau administration.

This suppression, and the success of independence movements in the former Spanish colonies on the North American mainland, led to a notable rise of Cuban nationalism.

Instead it was based on an ideal conception of patria that had been a component of Cuban nationalism and art since the nineteenth century.

Washington officials had forgetten the role that anti-North Americanism had played in the formation of Cuban nationalism.

The show itself had little political import beyond a generalized Cuban nationalism.

Martí's writings on the concepts of Cuban nationalism fuelled the 1895 revolution and have continued to inform conflicting visions of the Cuban nation.

The two Cubans argue that the measure would stir up Cuban nationalism and help President Fidel Castro rally support.