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Double and even triple tonguing is often required in order to play these rhythms.
It contains double tonguing, and some tricky fingerwork in places.
This section demands a flamboyant and ostentatious playing style with quick tonguing.
Don't be so tense with my tonguing.
Cold river mist lay close along the bank and in the darkness they could hear the swift, smooth tonguing of the river.
Méndez was legendary for his tone, range, technique and unparalleled double tonguing.
Passages requiring rapid tonguing should not, however, be continued long without brief rests or points of repose.
Te-te-te-te(ordinary single tonguing) was described as good up to quaver speed but too sluggish for anything faster.
The gray-blue cat had finished its meal and was looking over the good paw, raised to its mouth for a tonguing, at Troy.
The extended trombone technique of flutter tonguing is used in combination with a plunger mute to create this effect.
Fontana was also greatly admired for his mastery of the "Doodle Tonguing" technique, particularly by fellow trombonists.
Many extended techniques can be performed on the bassoon, such as multiphonics, flutter-tonguing, circular breathing, double tonguing, and harmonics.
The tonguing: The tonguing must be produced using the syllable TA.
Matsa progressed from gentle contact to lascivious tonguing, thrusting his tongue into the depths of the female organs, which were once more pulsating with pleasure.
The Bt horizon has an irregular or broken upper boundary resulting from the tonguing of bleached soil material into the illuviation horizon.
Double tonguing is easiest on brass instruments, and it is more difficult for some woodwind instruments, primarily the clarinet and saxophone.
I reckon Guiser gave Mr. Ralph a terrible tonguing, but Camilla doesn't know what 'twas passed between them."
The work will be carried out by China Tonguing International Construction Corporation (CICO).
The only consonants were plosives and stops, and yet they were no less musical than the tonguing of a flautist, making fluttering interruptions in a tune.
Like much of the extended technique for brass, Berio's incorporation of doodle tonguing was inspired by jazz trumpeter Clark Terry.
Next, Arban focuses on triple tonguing, double tonguing, and fanfare tonguing.
Leitgeb was clearly a skilled player, as the works are very difficult to perform on the natural horn of the period, requiring lip trills, much hand-stopping, and rapid tonguing.
Techniques such as double tonguing and doodle tonguing are interchanged rapidly and often paired with valve tremolos and hand stops.
A series of theme and variations has been written for solo trumpet, as "show off" pieces that contain virtuoso displays of double and triple tonguing, and fast tempos.
In addition to Xenakis' usage of the technique, split tonguing occurs in Isabel Mundry's Solo auf Schwellen for double-bell trumpet.