terzetto

Dvorak's thumb print in the Terzetto for two violins and viola is unmistakable.

The first movement of Dvorak's exquisite Terzetto, rarely played, is strangely labeled "Introduction."

In the first place there is Dvorák's Terzetto Op.74, a perfectly splendid, melodious and rich-sounding work."

When Carlo arrives, however, it is to announce the news of his betrothal to Leonora (Terzetto, Ad un'altra).

Elisabeth, Nottingham and Robert- Terzetto: "Ecco l'indegno" : "Here is the unworthy one!"

Although Cui borrowed a terzetto from it for his revision of Prisoner of the Caucasus in 1881-1882, the remainder of the act was not appropriated for other works.

The work was offered in a rich context of Czech chamber music, including Dvorak's Terzetto, Janacek's Quartet No. 1 and Smetana's Piano Trio.

A preconcert performance presents Dvorak's Terzetto for Two Violins and Viola in C and Spohr's Double String Quartet No 2.

The pianist Andras Schiff and the violist Yuuko Shiokawa join this superb Czech quartet for an all-Dvorak program that includes the Terzetto (Op.

Dvorak's Terzetto in C Major opens the program, Schubert's "Trout" Quintet closes it, the latter with the pianist Lilian Kallir and the double-bassist Don Palma.

Ms. Small's latent mischievousness came to the fore in Constantine Baecher's "Terzetto," a cheeky romp for her, a dreaming Christin Hanna and a peppery Elizabeth Brown.

At 8 P.M. next Saturday, they will play Dvorak's "Terzetto," the C minor Quartet by Shostakovich and Brahms' G minor Piano Quartet.

The group plays Dvorak's Terzetto and Berg's "Lyric Suite," and is joined by the violist Paul Neubauer in Brahms's G major String Quintet.

When he does arrive, he is at first distant with her but decides to get on with it when Estella appears, mad with rage, claiming Carlo for herself (Terzetto, 'Mira un dio).

The program also included an exciting rendition of Dvorak’s Terzetto in C for Two Violins and Viola by Mr. Sussmann, Ms. Keefe and Ms. Guterman, who all stood to perform.

Despite moments of persuasive energy, a performance of Dvorak's Terzetto in C by Mr. Tetzlaff, Ms. Kim and Ms. Young was diminished by ragged phrase endings and a generally harsh tone.

His recordings of the Terzetto and Octet Serenade on the Dvorak Discoveries CD were recognized by The New York Times as one of their "Five Favorite CDs" for the 2004 Dvorak Centennial.

In his final decade he mixed song settings and minor pieces with major works and occasional new departures; the 1925 Terzetto for flute, violin and oboe, each instrument playing in a different key, is cited by Imogen as Holst's only "successful" chamber work.

Tomorrow and Sunday Dvorak's exquisite and rarely heard Terzetto figures into a program that also includes string quartets by Haydn and Beethoven, and Gyorgy Ligeti's Sonata for Solo Cello, to be played by Nicholas Canellakis.

However, it was not as Verdi desired; the opera was given in a cut and altered form, with the first act being removed, the ballet in Act 3 being omitted, and Carlo's aria Io la vidi (originally in Act 1) being moved to Act 3, just before the terzetto.