terza rima

He later turned the latter into a terza rima poem.

It was written in terza rima, a combination of tercets.

The literal translation of terza rima from Italian is 'third rhyme'.

He was the first to use the sonnet and the terza rima in German lyric.

By eighteen months a dozen inf ants would chat in terza rima.

Evoking the cacophony of hell in a form of terza rima.

Terzanelle, a poetic form combining aspects of the terza rima and villanelle.

They are all in terza rima, written without much literary correctness, but remarkably spirited, pointed and even brilliant.

In classic verse forms, like the terza rima of Dante, he explored modern anxieties:

While using Dante's terza rima style, the poem continues by describing the Battle of Britain.

There is no set rhythm for terza rima, but in English, iambic pentameter is generally preferred.

The first known use of terza rima is in Dante's Divina Commedia.

Edward Lowbury's adaptation of the form to six syllabled lines has been named piccola terza rima.

The worst difficulties were formal: how to handle the iambic terza rima without padding out lines and putting words into Dante's mouth.

The three-ingredient gimmick turns out to be one of those formal restrictions, like terza rima or the sonata, that concentrate creative energy.

The poem Ode to the West Wind consists of five cantos written in terza rima.

At one point in the poem, Eliot used terza rima rhyme in a manner similar to Dante.

The romantic atmosphere is remarkably preserved in Mano, a successful metrical exercise in the difficult terza rima.

Furthermore, the poet invented the difficult terza rima for his epic journey through Hell, Purgatory, and Paradise.

Among his other productions was an edition of Hesiod's Works and Days, with valuable notes, and a translation in terza rima.

She seems at ease in virtually every form, and can incorporate a loose sestina or terza rima into a longer poem without loss of meaning or effect.

Rendered in a form of terza rima, this version of Dante's work evokes the cacophony of voices found in his hell.

The linked rhymes of his quatrains suggest the linked rhymes of such Italian forms as terza rima.

The Judson strand of modern dance is like free verse with lots of memory of daily life but none of sonnet form or terza rima.

He modeled the poem, written in terza rima, on Petrarch's Trionfi and Dante's Divine Comedy.