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He was an early proponent of the long-playing record, stereophony, video discs and digital recording.
Summing localization is the basis of stereophony.
Capitol further frustrated Culshaw by ignoring the impending introduction of stereophony which the major companies were working on.
Spacing, the distance between microphones in an AB microphone system (time-of-arrival stereophony).
Stereophony (2010)
He worked most of his professional life for RCA in the fields of acoustics, specifically large scale loudspeakers and stereophony.
Intensely fond of music, he invented high-quality components to incorporate in his invention of stereophony, which was granted British Patent 394325 in 1931.
An application for summing localization is the intensity stereophony, where two loudspeakers emit the same signal with different levels, resulting in the localized sound direction between both loudspeakers.
Under Haddy's technical leadership, Decca was the first British company to issue long playing records (1950) and was in the vanguard of stereophony in the middle of the decade.
Lewis kept Decca ahead of the British competition by launching the long-playing record in Europe in June 1950, following the example of American Columbia, and encouraging the development of stereophony as early as 1954.
First invented by Blumlein in early 1930s, original stereophony was a system that converts the phase difference of the signals recorded by a pair of microphones to the amplitude difference of in-phase input signals to two loudspeakers.
In 2010 the Chorallaries of MIT released their most recent album "Stereophony," whose track "Hot Air Balloon" was featured on both Voices Only 2010 and Best of College A Cappella 2011.
There was a purpose-built film theatre on the South Bank, the Telecinema (sometimes called the "Telekinema"), designed by Wells Coates, which showed documentary and experimental film exploiting stereophony and stereoscopy and the new invention of television.
The two stereophonic recording methods, using two channels and coincident microphone techniques (X-Y with bidirectional transducers/Blumlein setup + M/S stereophony), were developed by Blumlein at EMI in 1931 and patented in 1933.