secondary altar

They were the only two in the embassy's secondary altar room.

Most larger churches had one or more secondary altars, which if they occupied a distinct space, would often be called a chapel.

The secondary altar, which was also produced by the same architects, is a Gothic revival work showing Mary.

Only this secondary altar, which is dedicated to Saint Sebastian survived the Baroque reconstruction of the church.

The expected paraphernalia of the more ritualistic Catholic worship is absent; side chapels and numerous secondary altars are conspicuous by their absence.

Conversely the secondary altars, or side-chapels, divide the cathedral in two down its length providing a slight outcrop visible from the exterior.

The church was insignificantly expanded in 1908-1909, with secondary altars installed in transept niches and more Gothic features added.

A secondary altar room, Tsecha recalled, the same one in which he had prayed with his Jani prior to her very first a Urine.

The secondary altars, on the sides, are decorated with frescoes and a canvas of the Moving of the Icon of Madonna del Buon Consiglio (1756), by Francesco Ferrario.

To either side of the high altar, in what would have been the transepts of a larger church, racks of votive candles glowed sapphire and crimson before secondary altars to the Blessed Virgin and the church's patron.

Moreover, while Sunday Masses were very important, there were also weekday services which were celebrated at secondary altars in front of the screen (such as the "Jesus altar", erected for the worship of the Holy Name, a popular devotion in mediaeval times) which thus became the backdrop to the celebration of the Mass.