release print

There is no evidence it was included in the final release prints.

These were all filmed, but later cut from the final release print.

For some release prints, the footage was printed in color.

Since the late 1990s, almost all release prints have used polyester film stock.

However the song was mostly deleted from the release print.

DuPont positive stock (type 875) was used to make release prints.

In other words, a typical release print is three generations removed from the cut camera negative.

The song was filmed, but deleted from the final release print at the last minute.

The first feature film with close to 2000 first generation release prints.

Printing release prints from the composited camera negative was common until about 1969.

The original black-and-white release print is extant but seems to be missing at least one musical number.

Three different digital soundtrack systems for 35 mm cinema release prints were introduced during the 1990s.

A release print is a copy of a film that is provided to a movie theater for exhibition.

The film was graded and got to answer print stage, but never made release print.

The first feature film with release prints that required NO lab timing.

More than 12,000 release prints were distributed, which is the largest in Paramount Pictures' history.

The song was recorded in the studio but was evidently cut from the final release print.

The print is then shrunk and/or cropped in order to fit it back onto release prints.

Since none of these require a release print, it is unnecessary to reserve space for an optical soundtrack.

The black-and-white footage was color tinted and toned in the film's original release print.

Mr. Dartevelle said he has had access to it, but could not release prints or the name of the photographer.

Compressed digital sound information is recorded on both outer edges of the 35 mm film release print.

As of January 2005, most domestic United States release prints follow this standard.

The person operating the printer on which the release print is struck must take several factors into consideration in order to achieve accurate color.

Laser subtitling release prints of foreign language films adds significantly to the cost per print.