qasida

After the 10th century Iranians developed the qasida immensely and used it for other purposes.

A qasida has a single presiding subject, logically developed and concluded.

This Qasida is also read in some parts of tamil nadu.

The ghazal developed from the first part of qasida in which poets praised their sweethearts.

The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes.

Five of these have survived and they are in the Persian poetic form of Qasida.

It is derived from the Persian qasida.

This remaining disciple composed a moving qasida that eventually became a liturgy of the Uwaysiyya order.

The qasida consists of a single rhyme carried throughout the entirety of the poem.

Even though much of his work was lost, he left behind a legacy of ghazal, qasida, and mukhammas.

One non-Western form which resembles the ode is the qasida in Persian poetry.

The qasida was his special forte.

It comes from the Arabian panegyric qasida.

Najm had in the later part of his life dedicated himself to writing marsiya, salaam, manqabat and qasida.

At the age of 12, al-Yaqoubi wrote his first qasida, which was a plea to the Prophet Muhammad.

In terms of rhythm, each line (bayt) of the qasida consists of two equal parts.

It is a scheme which in its content resembles the general classical Semitic (specifically Arabic) qasida pattern.

From the 14th century CE Persian poets became more interested in ghazal and the qasida declined.

There are also some Qasida ("Odes"), but they amount to less than one-seventh of the Divan.

He is even one of the first after Farrukhi to try his hand at the Qasida-i Masnu'i, 'particular artificial qasida'".

Various branches of poetry like Nazm, Ghazal, Qasida and Ruba'iyat are included in it.

As he went through the music, Kassar explained the difference between Arabic forms such as doulab, qasida, taqsim, and samai.

He influenced greatly the new generation of poets who adopted marsia, salam, qasida and other similar genres of poetry in Urdu.

In Qasida Poetry in Islamic Asia and Africa.

In poetry, the Egyptian Ahmad Shawqi, among others, began to explore the limits of the classical qasida, although he remained a clearly neo-classical poet.