psalmody

The tradition stemmed from the antiphonal psalmody of the early Western church.

The psalmody is followed by a scripture reading.

In the early church, the music consisted of hymns and antiphonal psalmody.

Throughout the sixth century, Bangor became famous for its choral psalmody.

The same liturgy also preserved vigils of long psalmody.

He heard the psalmody and went wild.

This is interpreted to maintain exclusive psalmody and exclude musical instruments in worship.

He became well known by his exertions for the restoration of metrical psalmody to its original purity.

Suddenly it was a staggeringly blasphemous psalmody, offered in dark homage to the forces of chaos.

The choir of priests sang more rapidly, their psalmody rising to a shrill frenzy.

This was known as exclusive psalmody.

The region was then under the rule of the monks from the Abbey of Psalmody.

Still, the 330 hymns in the 1889 Psalmody show tremendous skill in composition and originality.

In 1847 he brought out the "Old Church Psalmody", Op.

In the same country there is some regret at the abandonment of Latin masses, psalmody and Evensong.

That clergy and musicians ensure the continuing place of psalmody in Anglican worship, whether it be sung or said (535-537).

The Psalmody was intended to be a supplement to the "Manchester Hymnal".

The reduced psalmody resulting from dividing the psalter over 4 weeks instead of 1 is also intended to ease lay participation.

This book will be the basis for the psalmody of the Pilgrims who colonize New England.

Evans was author of Practical Observations on the due performance of Psalmody.

He was "... the architect of the tradition of metrical psalmody."

Gradually "antiphonal psalmody" was developed.

Her instructional book Scheme for Rendering Psalmody Congregational met with great success.

Later, around 530, St. Benedict would arrange the weekly order of monastic psalmody in his Rule.

In direct psalmody, psalm verses are sung without refrains to simple, formulaic tones.