production sound mixer
location sound recordist
location sound engineer

A Boom operator is an assistant of the production sound mixer.

The following are the episodes where he was production sound mixer:

In conventional film production, a production sound mixer records dialogue during filming.

Mark Zsifkovits is a production sound mixer.

Willie D. Burton is an American production sound mixer.

The two editors worked with production tracks recorded by Ray Beckett, the production sound mixer.

The production sound mixer is the head of the sound department during the production stage of filmmaking.

The Production Sound Mixer is head of the sound department on set, responsible for recording all sound during filming.

The perchman manages the technical contingencies allowing the production sound mixer to concentrate on the artistic side of sound recording.

"Digital has clarity and a pristine quality," said Tommy Causey, the production sound mixer on "Blown Away."

Anand Krishnamoorthi (born 1980) is an Indian film sound designer, sound editor and Production sound mixer.

The Boom Operator is an assistant to the Production Sound Mixer, responsible for microphone placement and movement during filming.

Rebecca Gaines, Rebecca Loses (1993) TV episode (production sound mixer)

Production sound mixer Simon Hayes used 50 DPA 4071 lavalier microphones to record the vocals.

The production sound mixer records the actual explosion on the set, using both digital and analog recorders, and both mono and stereo sound.

Leading production sound mixer Mark Ulano writes, "[O]nly 45 Kinetophones were made.

Rob Whitehurst (November 14, 1951) is an American Production Sound Mixer and Audio Engineer.

According to production sound mixer, Michael Evje, Jake's nightclub sequence was filmed in a closed-down San Pedro club on December 3.

A utility sound technician, or simply assistant soundman or cableperson is an assistant to both the production sound mixer and the boom operator on a film set.

Mr. White was hired as the "Heart of Summer" production sound mixer, which means he and his two regular employees record dialogue when the film is being shot on location.

They work closely with the Production Sound Mixer, or Sound Recordist, to record all sound while filming including background noises, dialogue, sound effects, and silence.

Production Sound Mixer This award will be presented to the UK's leading production sound mixer.

The perchman is the production sound mixer's assistant and is in charge of the microphone placement, typically using a light and telescopic pole also called a fish pole or boom.

Ken King, winner of two Emmy Awards and nominated for a BAFTA for his work on the film Pulp Fiction, served as production sound mixer.

He has worked as a director, screenwriter, cinematographer, and production sound mixer on various films, including documentaries, that are related to the cultural exploration of the relationship between individual human beings and the society wherein they live.