postimpressionism

I was moving in a different direction, trying to add something, another form, to Postimpressionism.

Perhaps the great-grandaddy of successful posts was postimpressionism.

"Diverse directions were taken: from postimpressionism to half-baked cubism."

There he learned orthodox techniques tempered by the influence of Postimpressionism and the currents of modernism developing in postwar Europe.

However, during this period impressionism, postimpressionism, cubism and expressionism also had their fervent adherents and interpreters.

From the Neue Sachlichkeit style of his Berlin period he changed to postimpressionism.

Leo Gestel experimented with cubism, expressionism, futurism and postimpressionism.

His work was complex and multifacetic and moved through postimpressionism, expressionism, cubism and surrealism, with the common trend among them being a prominent treatment of color.

The influence of Germanic Postimpressionism on Janco's art was crystallized during his studies at the Federal Institute of Technology.

Wiggins draws upon Postimpressionism, Expressionism, American Regionalism, muralist folk art traditions, and it is this union that makes his paintings truly unique and unexpected.

Founder of Polish Colorism deriving from postimpressionism, in France Pankiewicz was a friend of Pierre Bonnard and was influenced by his art philosophy.

Post-Impressionism (also spelled Postimpressionism) is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet.

Around 1913, Janco was in more direct contact with the French sources of Iser's Postimpressionism, having by then discovered on his own the work of André Derain.

He found inspiration in various art styles and genres, such as Impressionism, Postimpressionism, Art Nouveau, Symbolism, Decadence, Cubism, Futurism and Art Deco.

Postimpressionism - term coined by British art critic Roger Fry to refer to a group of nineteenth-century painters, including Cézanne, Van Gogh, and Gauguin, who were dissatisfied with the limitations of expressionism.

From the early 20th century, Lucienne Ott's pastel, "Canal With Boats and Crane," Leon Carré's "Hillside" gouache and a watercolor of a farm field in Huntington by Oscar Bluemner reflect the influence of PostImpressionism.