picturegoer

Shortly after the Picturegoer name was dropped and the publication concentrated solely on music.

In May 1919 she was the cover girl for an issue of the magazine Pictures and Picturegoer.

This role created a considerable stir in the British cinema magazine, Picturegoer.

Gloria would be able to read her Picturegoer as late as she wanted without keeping Dot awake.

As a result, Picturegoer became more sensational in the 1950s, with covers featuring cheesecake and beefcake-style artwork.

Piccadilly Incident was chosen as Picturegoer's Best Film of 1947.

A reviewer in the Picturegoer commented: "As war films go, this one might come under the category of sporting comedy".

She was like the photographs of Hollywood film stars that she had seen once in an old copy of Picturegoer.

The Picturegoer spoke of "moderate" acting, "unconvincing" plot and said "the wholly obvious theme is indifferently directed".

Neagle's performance meant she was voted Best Actress of the year by the readers of Picturegoer magazine.

Spring in Park Lane was the 1949 Picturegoer winner for Best Film, Actor and Actress.

He was an early film star who received over 3,000 votes in Picturegoer magazine's 1916 contest to establish the "Greatest British Film Player".

It was reviewed - unfavourably - in Picturegoer : "the progress of [the] romance is uninspired and very dull.

On Saturday 7 August 1915 his popularity was such that his photograph was featured on the front page of Pictures and The Picturegoer.

The British Picturegoer magazine, always a supporter of the Lane Sisters, stated that all was not right with Priscilla Lane.

He developed a special interest in cinema, wrote reviews for the film magazine the Picturegoer and even corresponded with Greta Garbo and Norma Shearer.

The film was generally positively received by critics, with Picturegoer commenting: "At last, a British thriller with class...here's a gloss that usually comes with an import label".

After graduating with a 2:1 honours degree, Halliwell worked briefly for Picturegoer magazine in London before returning to Cambridge to manage the Rex Cinema from 1952 to 1956.

The critic James Agate admired Rainer's performance in The Good Earth and described it as "an exquisite rendering", however she was criticised in reviews by Picturegoer.

In 1955, Foster appeared on the cover of Picturegoer, and co-starred in two big films, Glenn Ford's The Bandits and Burt Lancaster's The Kentuckian.

In spite of being only 4'11" (1.5 metres), Zoe pursued a modelling career and became the most photographed and highly paid model of the time, appearing on the front of popular magazines such as Picturegoer.

After World War II, it found itself competing with periodicals published by the Rank Organisation, Odeon Cinemas, and Associated British Cinemas, which replaced Picturegoer with their own magazines at their theater kiosks.

Picturegoer called the film a "flimsy, but in parts not unamusing trifle" that is "very theatrical" and added, "Mai Zetterling has an unsuitable role for her as a French girl and Hugh Williams is suitably stodgy as the master.

The British film magazine Picturegoer awarded the film its Seal of Merit, but warned its readers that Holliday's character is "from New York's East Side, and speaks in a baby Bronx voice that is like the tinkling of many tiny, tuneless cymbals."

Lauded in Britain where he was dubbed "Alfred the Great" by Picturegoer magazine, by the end of the 1930s Hitchcock's reputation was beginning to soar overseas, with a New York Times feature writer stating; "Three unique and valuable institutions the British have that we in America have not.