However, in this fourth section, he instead used the parallel key.

In this opus there are four pairs of parallel keys and one relative pair.

Set screws often accompany parallel keys to lock the mating parts into place.

Parallel keys are the most widely used.

Two parallel keys can be used either 90 or 120 apart from each other if the shaft connection needs to be more robust.

In the early nineteenth century, composers began to experiment with freely borrowing chords from the parallel key.

Two parallel keys have the same tonic.

Parallel keys are strongly recommended.

Parallel Keys: Major and Minor keys having the same tonic note.

An alternative coupling device to the traditional parallel key, the tapered lock removes the possibility of play due to worn keyways.

Confusingly, the term for "relative key" in German is paralleltonart, while parallel key is varianttonart.

Brahms's ballades are arranged in two pairs of two, the members of each pair being in parallel keys.

There is one pair of parallel keys and two pairs of relative keys , the remaining four preludes satisfying neither criterion.

After the exposition and development are heard twice, the music then modulates to the parallel key of F minor, and its relative key (A-flat major).

Front- and rear-panel paralleled KEY jacks allow easy connection to paddles, external electronic keyers, or computer-driven keying interfaces.

In music, a major scale and a minor scale that have the same tonic are called parallel keys and are said to be in a parallel relationship.

A borrowed chord (also called mode mixture and modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic).

This should not be confused with borrowing (as in borrowed chord), in which pitches or chords from the parallel key are used in place of those of the original key.

The main theme is a bright and happy discussion between the solo violin and the accompaniment, followed by a modulation to the dominant D major, then its parallel key D minor.

After the beginning of the recapitulation, the piece moves directly to the second subject, by-passing the C-minor episode, in the parallel key of F major, and finishes with an extended coda.

The name "parallel chord" comes from the German musical theory, where "Paralleltonart" means not "parallel key" but "relative key", and "parallel key" is "Varianttonart".

After the first theme of 'minor seconds' closes, Chopin introduces a Più Lento section in which a new melody (without dissonant minor seconds) is played in the parallel key, E major.

In theme "C", Beethoven moves into the parallel key of A Major, in a chordal theme of imitation between instruments at half-bar intervals, in which the two instruments are eerily out of sync.

In rock and popular music, examples of songs that "emphasize parallel keys," include Grass Roots' "Temptation Eyes", "Every Little Thing She Does Is Magic", Lipps Inc's "Funkytown", and Dusty Springfield's You Don't Have To Say You Love Me.

However, in this fourth section, he instead used the parallel key.

In this opus there are four pairs of parallel keys and one relative pair.

Set screws often accompany parallel keys to lock the mating parts into place.

Parallel keys are the most widely used.

Two parallel keys can be used either 90 or 120 apart from each other if the shaft connection needs to be more robust.

In the early nineteenth century, composers began to experiment with freely borrowing chords from the parallel key.

Two parallel keys have the same tonic.

Parallel keys are strongly recommended.

Parallel Keys: Major and Minor keys having the same tonic note.

An alternative coupling device to the traditional parallel key, the tapered lock removes the possibility of play due to worn keyways.

Confusingly, the term for "relative key" in German is paralleltonart, while parallel key is varianttonart.

Brahms's ballades are arranged in two pairs of two, the members of each pair being in parallel keys.

There is one pair of parallel keys and two pairs of relative keys , the remaining four preludes satisfying neither criterion.

After the exposition and development are heard twice, the music then modulates to the parallel key of F minor, and its relative key (A-flat major).

Front- and rear-panel paralleled KEY jacks allow easy connection to paddles, external electronic keyers, or computer-driven keying interfaces.

In music, a major scale and a minor scale that have the same tonic are called parallel keys and are said to be in a parallel relationship.

A borrowed chord (also called mode mixture and modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic).

This should not be confused with borrowing (as in borrowed chord), in which pitches or chords from the parallel key are used in place of those of the original key.

The main theme is a bright and happy discussion between the solo violin and the accompaniment, followed by a modulation to the dominant D major, then its parallel key D minor.

After the beginning of the recapitulation, the piece moves directly to the second subject, by-passing the C-minor episode, in the parallel key of F major, and finishes with an extended coda.

The name "parallel chord" comes from the German musical theory, where "Paralleltonart" means not "parallel key" but "relative key", and "parallel key" is "Varianttonart".

After the first theme of 'minor seconds' closes, Chopin introduces a Più Lento section in which a new melody (without dissonant minor seconds) is played in the parallel key, E major.

In theme "C", Beethoven moves into the parallel key of A Major, in a chordal theme of imitation between instruments at half-bar intervals, in which the two instruments are eerily out of sync.

In rock and popular music, examples of songs that "emphasize parallel keys," include Grass Roots' "Temptation Eyes", "Every Little Thing She Does Is Magic", Lipps Inc's "Funkytown", and Dusty Springfield's You Don't Have To Say You Love Me.