palmette

The palmette is related to a range of motifs in differing cultures and periods.

Red, yellow and green palmette ornamented capitals appear in the script.

A palmette design adorns the top of the gable at the apex.

A chest in the nave has carved panels and a palmette frieze.

The gallery runs around three sides carried on slender iron columns with palmette capitals.

Its only decoration is a small palmette at the base of the cast handle where it was soldered to the squat body.

A second form, apparently evolved from this, is a more fully developed palmette similar to the forms found in Ancient Greece.

Other fragments of "palmette" and of kalypteres egemones have been found recently.

Stylized ruyi often function as a kind of ante-fixae or palmette in traditional and modern architecture.

The town's coat of arms since 1989 feature among other things the palmette of Kashubian embroidery.

Here the windows are huge portholes flanked by giant palmette shapes and rectangular plaques.

It has a strong similarity to the better known Ionic order, but differs in the capital, where a palmette is placed between the two volutes.

The link between these hanging clusters and the volutes of the palmette is visually clear, but remains inexplicit.

The outer line can be seen to have evolved from an alternating frieze of stylized lotus and palmette.

Also in bloom nearby are two pear trees espaliered in the six-arm palmette form.

Sacred palmette trees are as delicately carved as the figures are huge and intimidating.

One helmeted giant has fallen at the feet of Zeus's horses, while another hides behind a shield decorated with a palmette.

The Phantom Group mostly painted cloaked figures in combination with compositions of plant or palmette patterns.

The entrance hall has a coffered ceiling and palmette frieze and two black marble fireplaces.

As an ornamental motif found in classical architecture, the palmette and anthemion take many and varied forms.

With his guidance, the plants grow flat, in two dimensions rather than three, to resemble crosses, candelabras, tuning forks or palmette fans.

Motifs in the decorative arts such as the palmette or arabesque are often highly stylized versions of the parts of plants.

Baldassari palmette: A palmette design created around 1950 used primarily for training peaches.

The works of the Oxford Palmette Class are dated shortly after 580 BC.

The most common is ring shaped for the forefinger surmounted by a palmette on which the thumb is pressed to stabilize the lamp.