narrativization
narrativisation

Resil B Morajes calls their writing of synoptic histories a "narrativization of a nation".

This article offers a critical assessment of the "narrativization" of history. From "Studies in Canadian Literature."

Parekh is careful to avoid the narrativization of culture - he understands culture as an intricate network of both historically accumulated and random elements and not a linear or even development.

An essay film on the narrativization of Siberia, it contains Marker's signature commentary, which takes the form of a letter from the director, in the long tradition of epistolary treatments by French explorers of the "undeveloped" world.

A critical review of books from each wave not only sheds light on the individual authors and their motivations, but offers insight into what each wave represents about the narrativization of the Second World War and war crimes.

But the fundamental incommensurability of idea and event re-emerges in a precariousness in this narrativization of history where each disturbance in the writing punctuates it with the unassimilable, discontinuous and disjunctive temporality of the event.

The notion of a brain of such fame being misplaced and subsequently found by an eccentric Japanese professor has by many been found too outrageous to be true, but aside from the regular narrativization of material found in documentaries, very little actually indicates forgery.

This paper aims to explore a series of attempts at conceptualizing American- ness that are grafted on the topos, or ideologeme, "America," in order to examine the manner in which they are fictionalized (through thematization and narrativization) and this both in Québec and in the French-speaking Caribbean.

Particular importance, I suggest, attaches to a strategy which may be called the "narrativisation of pragmatics".

Combining these elements together has generated a conception which I have called the "narrativisation of pragmatics".

There is an attempt to re-present the performance in a manner that refuses the functions of interpretation, but which does not deny the problem of narrativisation.

Here, very interestingly, a new medium and the new form of narrative it encourages make possible challenges to the comfortable narrativisation of self of those "primary" discourses.

You may find it useful to think of narrativisation as involving a layering of different elements, what Barthes (116) calls pieces of 'history' and pieces of 'nature'.