microgroove record

In the early days of microgroove records (1940-1960), nickel plating was only brief, just an hour or less.

Another example of M/S stereo is the stereophonic microgroove record.

Daniels' recordings cover the period of transition from 78-rpm to the dawn of microgroove recording.

This created considerable interest in the United States, and served to raise the customer's overall expectations of quality in microgroove records.

The ARC focuses on commercially released popular music on record, created since the advent of microgroove recording in the mid-1940s.

After the launch of the long-playing microgroove record in 1948 and the arrival of the 45rpm single the following year, singles continued to appear separately from albums into the 1960s.

The 3-minute single remained the standard into the 1960s when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recordings.

The 12-inch (30 cm) Long Play (LP) 33 rpm microgroove record album was introduced by the Columbia Record Company at a New York press conference on June 21, 1948.

In 1948, Columbia introduced the 33Y r.p.m. microgroove record - the LP - which was a revolutionary development, allowing 23 minutes of music on each side and facilitating the recording of symphonies and other long-form pieces.

This style of breezy, experimental orchestral music became popular in the 1950s and 1960s following the introduction of the long-playing microgroove record and the advent of high-fidelity and stereo home audio systems, which allowed enhanced sonic reproduction.

The origin of Festival was Mainguard's purchase and merging of two small Sydney businesses-a record pressing company, Microgroove Australia, one of the first Australian companies to produce discs in the new vinyl microgroove record format, and Casper Precision Engineering.