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'If some means, or some several means, of melting the Arctic ice were put into operation, a little time would have to pass before its effects became mensurable.
The beginning of such a solution was Franconian notation, so called after the theorist Franco of Cologne, who outlined the system in his c. 1260 treatise, Ars cantus mensurabilis (The art of mensurable music).
You'd just about have to get down on his mensural level to hold conversation with him.
All his melodies are written in bar form, with no mensural notation.
Two, possibly three, have their melodies preserved in mensural notation.
His dissertation was on early ligatures and mensural music.
Mensural notation was extensively described and codified by contemporary theorists.
Which note value corresponded to the tactus was indicated by the mensural time signature.
The note derives from the semiminima of mensural notation.
Mensural music, in which the durations of the notes had an exact ratio among themselves, seems to have been an Islamic invention.
Mensural notation is the musical notation system used in European music from the later part of the 13th century until about 1600.
After around 1600, mensural notation gradually evolved into modern bar notation.
Mensural notation differed from the modern system in that the values of each note were more strongly context-dependent.
The system of note types used in mensural notation closely corresponds to the modern system.
"Fusa" derives from the mensural notation corresponding to the modern eighth note.
None of them survive in mensural notation.
Thanks to the development of mensural notation, his vision was realized and became common practice with his disciples.
They are characteristic of neumatic (chant) and mensural notation.
Mensural notation generally uses C and F clefs, on various lines.
None are recorded in mensural notation.
Successive mensural canons were a characteristic feature of late 14th and early 15th century isorhythmic motets.
The whole note derives from the semibrevis of mensural notation, and this is the origin of the British name.
In effect, he made a compromise between the ancient white mensural notation with a rigid tactus and the modern notion of tempo.
This new rhythmic system was the foundation for mensural notation system and the ars nova style.
Dotted notes were never used in this way in the mensural period; the main beat unit was always a simple (undotted) note value.
None survive in mensural notation, but this has not prevented the suggestion that "De chanter" is in the second mode.
In the system of late medieval mensural notation, this is achieved by applying three different mensuration rules to the three repetitions.