Weitere Beispiele werden automatisch zu den Stichwörtern zugeordnet - wir garantieren ihre Korrektheit nicht.
This is the same definition as that of the meantone temperament.
However, in the meantone temperament this is not true.
Meantone temperament reduces the difference between 9:8 and 10:9.
Within the context of meantone temperament, the 11th harmonic is very nearly in tune.
Temperaments of the period range centre on just intonation and meantone temperament.
For instance, music of the English Renaissance is often performed in meantone temperament.
The most commonly used meantone temperaments fall between these extremes, giving it an intermediate size.
These differences are "tempered out" or eliminated by using compromises in meantone temperament.
The coincidence leads to the rational version of quarter-comma meantone temperament.
This tuning can be considered a meantone temperament.
In the past, meantone temperaments were sometimes used or referred to under other names or descriptions.
This comma is important to certain tuning systems, such as septimal meantone temperament.
For example, the "flat fifth" of meantone temperament.
The archicembalo had 36 keys per octave and was very well suited for meantone temperament.
The carillon was enlarged to 4 octaves and is tuned in Meantone temperament.
Like meantone temperament, Pythagorean tuning is a broken circle of fifths.
More broadly, it is also used to refer to similar intervals produced by other tuning systems, including most meantone temperaments.
Many chords of 31-ET are discussed in the article on septimal meantone temperament.
Contrast with just tuning and meantone temperament.
Namely, in the family belonging to the syntonic temperament continuum, including meantone temperaments.
Instead, they were assigned slightly different pitches on enharmonic keyboards (particularly in "meantone temperament").
Also, unlike most meantone temperaments, the chromatic semitone is larger than the diatonic.
The meantone temperament, a system of tuning that emphasises pure thirds, may be called "tertian".
Both just intonation and meantone temperament can be thought of as forms of regular temperament.
As mentioned above, the term diesis most commonly refers to the diminished second in quarter-comma meantone temperament.