manneristic
manneristical

In the late 16th century, as the Renaissance era closed, an extremely manneristic style developed.

The exterior of the hall is constructed in the 16th century Italian Manneristic style.

It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures.

What happened before the Master of Catherine of Cleves can be described as prelude, what occurred after is something of a manneristic decline.

This masterpiece, the Studiolo of Francesco I (a studiolo is a small study) was also designed by Vasari in a manneristic style (1570-1575).

Their artistic illustrations are closely linked with the highly manneristic and finely inked style of art that is associated with the original Image Comics house style.

Hoppin suggests the superlative ars subtilissima, saying, "not until the twentieth century did music again reach the most subtle refinements and rhythmic complexities of the manneristic style."

Yet at the same time, systematically and compositionally they occupy a fairly Manneristic realm, and in this I feel that they exist isolated from the reality of life."

As often seen at the end of any musical era, the end of the medieval era is marked by a highly manneristic style known as Ars subtilior.

Two of the other styles are described as "elegant ... a little stereotyped and manneristic", and of a "heavy, leisurely but nevertheless rich and lively style", respectively.

The Manneristic tombstone of Stanisław Przyjemski is located at the north wall of the main nave of St. Bartholomew's Parish Church.

Being the only survived Renaissance palace in Vilnius it has features of the Netherlands Renaissance as well as Manneristic decorations native to the Lithuanian Renaissance architecture.

On the far right is the manneristic group Rape of the Sabine Women by the Flemish artist Jean de Boulogne, better known by his Italianized name Giambologna.

He composed the most pieces in the Chantilly Codex, the principal source of music of the ars subtilior, the manneristic compositional school centered around Avignon at the end of the century.

The comparison between Watteau & Picasso was illuminating, and I was quite surprised that he admired the Watteau, though I suppose it could be a case of one manneristic painter admiring another?

Conradus was an Italian representative of the manneristic school of composers known as the ars subtilior, closely associated with the courts of the schismatic popes during the period of the Avignon Papacy.

There's no flamboyance or manneristic excess in his performance; he simply spins along in his own snug groove, daring to do too little, building Jung gesture by gesture, inflection by carefully shaded inflection.

Active both in France and England, he was one of the representatives of the complex, manneristic musical style known as the ars subtilior which flourished around the court of the Avignon Papacy during the Great Schism.

St. Stephen's is a rather unremarkable triple-aisled church with a nice 17th-century bell tower, and is a harmonious synthesis of the Renaissance, manneristic and early Baroque styles so typical of the Dalmatian architecture of the 15th and 16th centuries.

Albright contrasts this motivation with "expressive urgency" and "obedience to rules of craft" and, indeed, ars subtilior was coined by musicologist Ursula Günther in 1960 to avoid the negative connotations of the terms manneristic style and mannered notation.

He went with the duke on his travels, going to Avignon at least twice (1391, and again in 1395), where he doubtless encountered the composers and music of the Avignon repertory; Avignon then was the center of composition on the manneristic ars subtilior style.

His madrigals best represent the "classic" phase of development of the form, with their clear outline, four-part writing, refinement, and balance; the word-painting, chromaticism, ornamentation, virtuosity, expressionistic and manneristic writing of madrigalists later in the century are nowhere to be found in Arcadelt.

Stylistically, they span both the manneristic complexities of the ars subtilior, which was the predominant style in Avignon in the 1390s, and the relatively simple song style of the early 15th century as it was developing in the courts of France and Burgundy.

He wrote several distinguished pieces ("Jarula", Venice 1618 - Old and New Testament in storytelled form; "Draga, rapska pastirica"), but one work excels in his literary opus: complicated and the most explicitly manneristic epic in 13 books "Vila slovinka" (Venice, 1613).