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Padbrué showed all sorts of international influences, and at most levels his works were different from others produced at that time, but the expression of the words or the "madrigalism" was always the most important factor for him.
Madrigalism reached new heights of emotional expression and chromaticism in what Claudio Monteverdi called his seconda pratica (second practice), which he saw originating with Cipriano de Rore and developing in the music of composers such as Luca Marenzio and Giaches de Wert.